THE NEW GERMAN SCHOOL
The first self-conscious proponent of the musical avant-garde was Brendel himself, in his role as activist—a role his historical vision (by his own typically Hegelian avowal) had thrust upon him unbidden. During his youthful piano studies with Friedrich Wieck in Leipzig, Brendel naturally came to know a fellow pupil named Robert Schumann. After receiving his doctorate he returned to Leipzig in 1844 and lectured on music history as preparation for his magnum opus. That plan was temporarily put on hold when Schumann asked him to take over the Neue Zeitschrift für Musik. Brendel formally became its editor with the issue of 1 January 1845 and remained in that position for almost a quarter of a century, until his death. Already the established voice of the German musical left, the journal was an effective forum and power base.
- Citation (MLA):
- Richard Taruskin. "Chapter 8 Midcentury." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 26 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-008002.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 8 Midcentury. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 26 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-008002.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 8 Midcentury." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 26 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-008002.xml