ART AND DEMOCRACY
As an emissary from America to Europe, then from Europe to America, and finally between Americas; as a mediator between low culture and high society, and then between high culture and “low” society; as a shuttler between culture and commerce; and as a perpetual peripatetic whose selfhood was always defined by some sort of otherness, Gottschalk led an emblematically liminal existence—an existence on the borders—that defined a particularly “American” moment in the history of European music. It was a moment of confrontation that presaged the hardening of categories and the closing of borders.
- Citation (MLA):
- Richard Taruskin. "Chapter 7 Self and Other." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 3 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-007013.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 7 Self and Other. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 3 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-007013.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 7 Self and Other." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 3 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-007013.xml