EPILOGUE: TWO PRODIGIES
As already hinted in Schumann's comparison with Mozart, Felix Mendelssohn was arguably the greatest composing prodigy in the history of European music. He was not exploited by his parents the way Leopold Mozart exploited Wolfgang. He was not taken on concert tours as a child and did not develop an early freakish fame. Nor, though coming close (with fourteen symphonies for strings and one for full “classical” orchestra completed by his sixteenth birthday), did he quite have the child Mozart's amazing facility. But it was not until the age of nineteen, with his violin concertos of 1775, that Mozart began writing music in a style, and of a quality, that was entirely his own, while Mendelssohn produced works as early as the age of sixteen that have to be considered mature masterpieces, the equal of anything anyone was writing at the time.
- Citation (MLA):
- Richard Taruskin. "Chapter 3 Volkstümlichkeit." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 1 Mar. 2015. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003013.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 3 Volkstümlichkeit. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 1 Mar. 2015, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003013.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 3 Volkstümlichkeit." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 1 Mar. 2015, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003013.xml