NATIONALISM TAKES A TURN
Yet less than three years after Mendelssohn's death, in September 1850, an article appeared in the Neue Zeitschrift für Musik (by then no longer edited by Schumann) that set in motion a backlash against him from which his reputation has never fully recovered, and put a whole new complexion on the idea of German nationalism, indeed of nationalism as such. The article, signed K. Freigedank (“K. Free-thought”), was called Das Judenthum in der Musik (“Jewry in music”), and it made the claim that Jews, being not merely culturally or religiously but biologically—that is, racially—distinct from gentile Christians, could not contribute to gentile musical traditions, only dilute them. There could be no such thing as assimilation, only mutually corrupting mixture. A Jew might become a Christian by converting (as Mendelssohn had done), but never a true gentile (hence never a true German).
- Citation (MLA):
- Richard Taruskin. "Chapter 3 Volkstümlichkeit." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 29 Mar. 2017. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003012.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 3 Volkstümlichkeit. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 29 Mar. 2017, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003012.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 3 Volkstümlichkeit." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 29 Mar. 2017, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003012.xml