MENDELSSOHN AND CIVIC NATIONALISM
To see the chorale in action in its new and highly fraught cultural context, we can survey the way it is employed in Paulus (“St. Paul”), an oratorio by Felix Mendelssohn (1809–47), composed between 1832 and 1836 and performed to great acclaim in Düsseldorf under the twenty-seven-year-old composer's highly experienced baton at the 1836 Lower Rhine Music Festival. Choosing this piece will offer a further perspective on the relationship between religious and national culture in Germany as mediated by the oratorio, since the composer was by birth neither a Protestant nor a Catholic, but a Jew.
- Citation (MLA):
- Richard Taruskin. "Chapter 3 Volkstümlichkeit." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 6 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003011.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 3 Volkstümlichkeit. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 6 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003011.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 3 Volkstümlichkeit." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 6 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003011.xml