THE DISCOVERY OF THE FOLK
This crossbreeding, which implied the impossibility of a particular “I” without a particular “We,” was in large part the brainchild of a Prussian preacher named Johann Gottfried von Herder (1744–1803), who provided the main intellectual bridge between the Sturm und Drang movement of the 1770s and the later German romanticism. His basic idea may seem all too obvious to us, heirs as we are to two centuries of romantic thinking; but in its day it was a revolutionary notion. Very simply, Herder contended that there was no universal human nature and no universal human truth, no “sensus communis” as posited by his one-time mentor Kant. Rather, he argued, each human society, each epoch of human history, each and every human collectivity was a unique entity—and uniquely valuable. Human difference was as worthy of study and respect, and could be as morally instructive, as human alikeness.
- Citation (MLA):
- Richard Taruskin. "Chapter 3 Volkstümlichkeit." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 26 Oct. 2016. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003002.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 3 Volkstümlichkeit. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 26 Oct. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003002.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 3 Volkstümlichkeit." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 26 Oct. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-003002.xml