CROSSING THE EDGE
To encompass a legacy as enormous and as important as Schubert's within the confines of a narrative like this requires strategy. The nature of Schubert's career, as just narrated, suggests that we begin with music published during his lifetime, which had some circulation among his historical contemporaries, and only afterward branch out into posthumous terrain. Thus we will be proceeding from the intimate domestic genres in which Schubert's unique construction of musical subjectivity was formed, into larger genres that through Schubert (quite unbeknownst to his contemporaries) became infected with the esthetic of intimacy.
- Citation (MLA):
- Richard Taruskin. "Chapter 2 The Music Trance." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 3 Mar. 2015. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-002007.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 2 The Music Trance. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 3 Mar. 2015, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-002007.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 2 The Music Trance." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 3 Mar. 2015, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-002007.xml