SCHUBERT: A LIFE IN ART
The early romantic composer whose works now loom in history as the most decisive, all-transforming “crossing of the edge” into inwardness was a composer who lived his short life in relative obscurity, and whose enormous influence, both on his creative peers and on the listening habits of audiences, was almost entirely a posthumous one. In a way this is unsurprising, even fitting, since the music of Franz Schubert (1797–1828) reflected, in its exploration of the inner “I,” one of the most outwardly uneventful, essentially private lives any composer of major standing was ever destined to live.
- Citation (MLA):
- Richard Taruskin. "Chapter 2 The Music Trance." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 7 Mar. 2014. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-002005.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 2 The Music Trance. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 7 Mar. 2014, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-002005.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 2 The Music Trance." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 7 Mar. 2014, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-002005.xml