To see the new serious opera in its fullest flower, we can turn to Rossini's successors: Vincenzo Bellini (1801–35), who was to the early 1830s what Rossini had been to the 1820s, and the somewhat late-blooming Gaetano Donizetti (1797–1848), who enjoyed a like preeminence in the decade 1835–45. In viewing their works we will see the coming of a truly romantic temper to the opera seria, and (partly for that reason) we will be dealing with operas that survive in active repertory, unlike those of Rossini, who is represented on today's operatic stage by his comic operas alone. More specifically, we will see how the cantabile-cabaletta format was continually expanded until it could encompass long scenes packed with highly diversified action.
- Citation (MLA):
- Richard Taruskin. "Chapter 1 Real Worlds, and Better Ones." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 30 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-001007.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 1 Real Worlds, and Better Ones. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 30 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-001007.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 1 Real Worlds, and Better Ones." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 30 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-div1-001007.xml