CHAPTER 1 Real Worlds, and Better Ones
Beethoven Vs. Rossini; Bel Canto Romanticism
In only one area did Beethoven fail to exert a transforming influence on the music of his time, and that was opera. Fidelio, his single operatic venture, initially a flop, was revised so often and so extensively that three distinct versions and no fewer than four overtures for it survive. As if recognizing that his talent suffered a limitation where the theater was concerned, Beethoven concentrated thereafter on composing “incidental music” for dramatic plays.
- Citation (MLA):
- Richard Taruskin. "Chapter 1 Real Worlds, and Better Ones." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 7 Mar. 2014. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-chapter-001.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 1 Real Worlds, and Better Ones. In Oxford University Press, Music in the Nineteenth Century. New York, USA. Retrieved 7 Mar. 2014, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-chapter-001.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 1 Real Worlds, and Better Ones." In Music in the Nineteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 7 Mar. 2014, from http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833-chapter-001.xml