A POET BORN NOT MADE
On the most worldly level (as forecast in chapter 12), Josquin was able to achieve an unprecedented reputation thanks to newly available means of dissemination, through which his works achieved an unprecedented circulation. He was the chief protagonist and beneficiary of the nascent “music biz,” the dawn of commercial music printing. He was, in short, the first composer who made his reputation—and especially his posthumous reputation—on the basis of publication. And as his reputation grew to legendary proportions Josquin became the first musical object of commercial exploitation. One of the chief tasks of modern Josquin scholarship has been to weed out the many spurious attributions made to him by sixteenth-century music publishers in an endeavor to capitalize on what we would now call his name-recognition. “Josquin” became a commercial brand name, music’s first. The section given over to “Doubtful and Misattributed Works” in the catalogue that follows the article on the composer in the latest edition of The New Grove Dictionary of Music and Musicians, the standard English-language music encyclopedia, lists 14 Masses (as against 18 authenticated ones), 7 separate Mass sections (as against 7), a whopping 117 motets (as against 59), and 36 secular songs or instrumental pieces (as against 72). Most of the spurious items come from posthumous prints.
- Citation (MLA):
- Richard Taruskin. "Chapter 14 Josquin and the Humanists." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 1 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-014002.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 14 Josquin and the Humanists. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 1 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-014002.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 14 Josquin and the Humanists." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 1 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-014002.xml