FUN IN CHURCH?
Gaspar van Weerbeke presided over a stellar group of young musicians in Milan, testifying to his employer’s zeal in patronizing nothing but the best as an aspect of princely self-aggrandizement. That is to say: with great acuity, the Sforza dukes managed (in part through Gaspar’s scouting “nose”) to recruit at early phases of their careers a pleiad of future stars, including at least two whose future fame would eclipse Gaspar’s own. They included Johannes Martini (d. 1498), who served briefly in Galeazzo’s chapel choir in 1474, between stints at the rival court of Ercole (Hercules) I, Duke of Ferrara, where he eventually directed the chapel choir. In all likelihood, and in time-honored fashion, he used his invitation to sing at Milan as a stepping-stone toward the betterment of his rank at Ferrara.
- Citation (MLA):
- Richard Taruskin. "Chapter 13 Middle and Low." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 17 Jan. 2017. <http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-013005.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 13 Middle and Low. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 17 Jan. 2017, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-013005.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 13 Middle and Low." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 17 Jan. 2017, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-013005.xml