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Contents

Music from the Earliest Notations to the Sixteenth Century

CANTUS FIRMUS AS TROPE OF GLORY

Chapter:
CHAPTER 12 Emblems and Dynasties
Source:
MUSIC FROM THE EARLIEST NOTATIONS TO THE SIXTEENTH CENTURY
Author(s):
Richard Taruskin

But first, its history: one that, like so much in the history of fifteenth-century music, begins with the English. And it begins at the moment when the device of paired movements based on a common cantus firmus tenor, already found in the Old Hall manuscript, was expanded to encompass all the major components of the Ordinary.

Citation (MLA):
Richard Taruskin. "Chapter 12 Emblems and Dynasties." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 11 Dec. 2017. <http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-012004.xml>.
Citation (APA):
Taruskin, R. (n.d.). Chapter 12 Emblems and Dynasties. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 11 Dec. 2017, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-012004.xml
Citation (Chicago):
Richard Taruskin. "Chapter 12 Emblems and Dynasties." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 11 Dec. 2017, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-012004.xml
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