THE TOP-DOWN STYLE
Mixing the attributes of the motet and chanson genres was a highly unusual effect. The genres were more typically thought of as distinct to the point of contrast—a contrast conditioned above all by their methods of composition. To appreciate the difference, and the new way of composing Machaut seems to have pioneered in his chansons, we will do best to begin with a monophonic composition—say, a typical virelai.
- Citation (MLA):
- Richard Taruskin. "Chapter 9 Machaut and His Progeny." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 1 Apr. 2015. <http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-009003.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 9 Machaut and His Progeny. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 1 Apr. 2015, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-009003.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 9 Machaut and His Progeny." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 1 Apr. 2015, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-009003.xml