THE NASCENT MOTET

Chapter:

CHAPTER 7 Music for an Intellectual and Political Elite

Source:

MUSIC FROM THE EARLIEST NOTATIONS TO THE SIXTEENTH CENTURY

Author(s):

Richard Taruskin

The simplest definition of a motet, in its earliest form, would simply be a texted bit of discant. In its origins, as we may surmise from the genre’s earliest sources, the motet was actually a prosulated bit of discant—discant (by definition melismatic in tenor as well as added voices) to which a syllabic text has been grafted onto the added voice or voices in the manner of a prosula. We can trace the process by returning to a piece already familiar from the previous chapter: the “Ex semine” clausula from the Alleluia Nativitas attributed by Anonymus IV to Perotin.

Citation (MLA):

Richard Taruskin. "Chapter 7 Music for an Intellectual and Political Elite." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 2 Mar. 2015. <http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-007002.xml>.

Citation (APA):

Taruskin, R. (n.d.). Chapter 7 Music for an Intellectual and Political Elite. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 2 Mar. 2015, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-007002.xml

Citation (Chicago):

Richard Taruskin. "Chapter 7 Music for an Intellectual and Political Elite." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 2 Mar. 2015, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-007002.xml