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Contents

Music from the Earliest Notations to the Sixteenth Century

CONDUCTUS AT NOTRE DAME

Chapter:
CHAPTER 6 Notre Dame de Paris
Source:
MUSIC FROM THE EARLIEST NOTATIONS TO THE SIXTEENTH CENTURY
Author(s):
Richard Taruskin

The remaining polyphonic genre practiced at Notre Dame was the conductus. Its status there was far more modest than at previous monastic polyphonic centers, but well over a hundred conductus nevertheless survive, in two, three, and four voices.

Citation (MLA):
Richard Taruskin. "Chapter 6 Notre Dame de Paris." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 19 Dec. 2018. <http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-006007.xml>.
Citation (APA):
Taruskin, R. (n.d.). Chapter 6 Notre Dame de Paris. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 19 Dec. 2018, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-006007.xml
Citation (Chicago):
Richard Taruskin. "Chapter 6 Notre Dame de Paris." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 19 Dec. 2018, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-006007.xml
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