WHYS AND WHEREFORES
There are large sections devoted to spare parts like these, sometimes called “substitute clausulas” or “ersatz clausulas,” in all four major Notre Dame codices. (In addition to Flo, W1, and W2, there is a slightly smaller one called Ma, roughly contemporaneous with W2, copied in Spain for the cathedral at Toledo, and now kept at the National Library in Madrid.) They raise tantalizing questions about the nature of this music, its transmission, and its history.
- Citation (MLA):
- Richard Taruskin. "Chapter 6 Notre Dame de Paris." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 29 Apr. 2017. <http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-006004.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 6 Notre Dame de Paris. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 29 Apr. 2017, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-006004.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 6 Notre Dame de Paris." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 29 Apr. 2017, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-006004.xml