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Contents

Music from the Earliest Notations to the Sixteenth Century

THEORY AND THE ART OF TEACHING

Chapter:
CHAPTER 3 Retheorizing Music
Source:
MUSIC FROM THE EARLIEST NOTATIONS TO THE SIXTEENTH CENTURY
Author(s):
Richard Taruskin

Before exploring the implications of these statements, though, or taking a closer look at music set to vernacular poetry, or discussing the reasons why the word “secular” is being set off in this context by quotation marks, let us return briefly to the original subject of this chapter, the formulation of new theoretical concepts and their influence on musical practice. There is one more tale to tell.

Citation (MLA):
Richard Taruskin. "Chapter 3 Retheorizing Music." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 19 Dec. 2018. <http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-003009.xml>.
Citation (APA):
Taruskin, R. (n.d.). Chapter 3 Retheorizing Music. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 19 Dec. 2018, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-003009.xml
Citation (Chicago):
Richard Taruskin. "Chapter 3 Retheorizing Music." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 19 Dec. 2018, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-003009.xml
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