PSALMODY IN PRACTICE: THE OFFICE
It is time now for some music. Many of the points in the foregoing account of the history and prehistory of Gregorian psalmody, and also something of its many genres and styles, may be illustrated by tracing settings of a single psalm verse through its various liturgical habitats. The twelfth verse of Psalm 91 (according to the numbering in the standard Latin Bible, known as the Vulgate, translated by St. Jerome in the late fourth century) was especially favored in the liturgy, perhaps owing to its vivid similes. It crops up time and again in many contexts, running the full stylistic gamut of Gregorian chant from the barest “liturgical recitative” to the most flamboyant jubilation.
- Citation (MLA):
- Richard Taruskin. "Chapter 1 The Curtain Goes Up." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 4 May. 2016. <http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-001012.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 1 The Curtain Goes Up. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 4 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-001012.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 1 The Curtain Goes Up." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 4 May. 2016, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-001012.xml