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Contents

Music from the Earliest Notations to the Sixteenth Century

THE MASS AND ITS MUSIC

Chapter:
CHAPTER 1 The Curtain Goes Up
Source:
MUSIC FROM THE EARLIEST NOTATIONS TO THE SIXTEENTH CENTURY
Author(s):
Richard Taruskin

The greatest flowering of such liturgical “arias” came toward the end of the period of Gregorian oral composition, with the selection and completion of formularies—full sets of antiphons and responds—for the yearly round of Mass services.

Citation (MLA):
Richard Taruskin. "Chapter 1 The Curtain Goes Up." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 25 Nov. 2014. <http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-001009.xml>.
Citation (APA):
Taruskin, R. (n.d.). Chapter 1 The Curtain Goes Up. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 25 Nov. 2014, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-001009.xml
Citation (Chicago):
Richard Taruskin. "Chapter 1 The Curtain Goes Up." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 25 Nov. 2014, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-001009.xml
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