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Contents

Music from the Earliest Notations to the Sixteenth Century

MONASTIC PSALMODY

Chapter:
CHAPTER 1 The Curtain Goes Up
Source:
MUSIC FROM THE EARLIEST NOTATIONS TO THE SIXTEENTH CENTURY
Author(s):
Richard Taruskin

Christian monasticism arose in the fourth century in reaction to the church’s worldly success following its establishment as the official religion of the late Roman empire. Whereas earlier the Christians were persecuted in Rome for their pacificism and their contempt for temporal authority, now, as the custodian of an imperial state religion, the Christian church itself took on the attributes of an imperium. Its clergy was organized into a steep hierarchy. That clerical hierarchy, in turn, put forth an elaborate theology and an enforceable canon law, and modified the church’s teachings so as to support the needs of the temporal state that supported it, needs that included the condoning of legal executions and military violence. The state Christian church could no longer afford the pure pacificism it had espoused when it was a persecuted minority. Indeed, it now became itself a persecutor of heretics.

Citation (MLA):
Richard Taruskin. "Chapter 1 The Curtain Goes Up." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 20 Aug. 2014. <http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-001007.xml>.
Citation (APA):
Taruskin, R. (n.d.). Chapter 1 The Curtain Goes Up. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 20 Aug. 2014, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-001007.xml
Citation (Chicago):
Richard Taruskin. "Chapter 1 The Curtain Goes Up." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 20 Aug. 2014, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-div1-001007.xml
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