CHAPTER 4 Music of Feudalism and Fin’s Amors
The Earliest Literate Secular Repertories: Aquitaine, France, Iberia, Italy, Germany
One of the lessons the study of history can teach us is to appreciate the futility of rigidly oppositional distinctions and to resist them. Hard and fast antitheses, often called binarisms, are conceptual rather than empirical: that is, they are more likely to be found in the clean laboratories of our minds than in the messy world our bodies inhabit. (And even to say this much is to commit several errors of arbitrary opposition.) One can hardly avoid categories; they simplify experience and, above all, simplify the stories we tell. They make things intelligible. Without them, writing a book like this—let alone reading it!—would be virtually impossible. And yet they involve sacrifice as well as gain.
- Citation (MLA):
- Richard Taruskin. "Chapter 4 Music of Feudalism and Fin’s Amors." The Oxford History of Western Music. Oxford University Press. New York, USA. n.d. Web. 29 Apr. 2017. <http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-chapter-004.xml>.
- Citation (APA):
- Taruskin, R. (n.d.). Chapter 4 Music of Feudalism and Fin’s Amors. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA. Retrieved 29 Apr. 2017, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-chapter-004.xml
- Citation (Chicago):
- Richard Taruskin. "Chapter 4 Music of Feudalism and Fin’s Amors." In Music from the Earliest Notations to the Sixteenth Century, Oxford University Press. (New York, USA, n.d.). Retrieved 29 Apr. 2017, from http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-chapter-004.xml